Hollyhock symbolism extend to the realm of Faery, as fairies were believed to use the blooms as skirts, and Hollyhock seedpods were known as fairy cheese because they resembled a cheese wheel. There is even a recipe dating from 1660 that recommends combining Hollyhock, Marigolds, Wild Thyme and Hazel buds in order to allow mortals to see the fairy folk. (Source: The Witchery Arts)
The painting seen above is titled "Study of Pink Hollyhocks in Sunlight, from Nature", painted in 1879 by John La Farge (1835–1910). Originally found on Wikimedia. Digitally enhanced version of the painting as a 4" x 5" @ 300 ppi JPEG here.
Digitally enhanced reproductions of public domain fine art are shared under a Creative Commons Attribution 4.0 International License.
Showing posts with label Flower paintings. Show all posts
Showing posts with label Flower paintings. Show all posts
Vintage Art Appreciation: Madame Lerolle by Henri Fantin-Latour
Robin in the fall,
But Colin only looked at me
And never kissed at all.
Stephen’s kiss was lost in jest,
Robin’s lost in play,
But the kiss in Colin’s eyes
Haunts me night and day.
― Sara Teasdale, The Collected Poems
Altered version of a painting titled "Madame Lerolle," originally painted in 1882 by Henri Fantin-Latour (1836–1904). You can find the image of the original painting at the Cleveland Museum of Art's site or you can download my digitally enhanced version of the painting as a 12" x 16.5" @ 300 ppi JPEG here. Simply print and frame for tabletop or wall artI but could also be used as a cover for a journal or scrapbooking project.
Digitally enhanced reproductions of public domain fine art are shared under a Creative Commons Attribution 4.0 International License.
Vintage Art Appreciation: Elena Among Roses by Joaquin Sorolla
by Joaquín Sorolla (1863–1923)
Let me tell you this: if you meet a loner, no matter what they tell you,
it's not because they enjoy solitude.
It's because they have tried to blend into the world before,
and people continue to disappoint them.
― Jodi Picoult, My Sister's Keeper
I care for myself. The more solitary, the more friendless, the more unsustained I am,
the more I will respect myself.
― Charlotte Brontë, Jane Eyre
I had already found that it was not good to be alone,
and so made companionship with what there was around me,
sometimes with the universe and sometimes with my own insignificant self;
but my books were always my friends, let fail all else.
― Joshua Slocum, Sailing Alone around the World
Vintage Art Appreciation: A Rooftop with Flowers by Joaquín Sorolla
by Joaquín Sorolla (1863 – 1923)
Every time I imagine a garden in an architectural setting,
it turns into a magical place.
I think of gardens I have seen,
that I believe I have seen, that I long to see,
surrounded by simple walls, columns, arcades or the facades of buildings -
sheltered places of great intimacy where I want to stay for a long time.
― Peter Zumthor
Perhaps love is like a resting place, a shelter from the storm.
It exists to give you comfort, it is there to keep you warm,
and in those times of trouble when you are most alone,
the memory of love will bring you home.
― John Denver
HIDEAWAY
Preserve that
secret, homey spot
in your heart,
as sanctuary
where dreams may be softly tended,
and revived.
― Tara Estacaan
Vintage Art Appreciation: Still Life with Tulips by George Clausen
by Sir George Clausen, RA (1852 - 1944)
Spring will come and so will happiness. Hold on. Life will get warmer.
― Anita Krizzan
The beautiful spring came, and when nature resumes her loveliness, the human soul is apt to revive also.
― Harriet Ann Jacobs
If we had no winter, the spring would not be so pleasant; if we did not sometimes taste of adversity, prosperity would not be so welcome.
― Anne Bradstreet
The flower does not choose the soil in which it blooms, but it blossoms nonetheless. It is not the path we are given, but how we walk it that gives us strength and beauty. Embrace hardship and suffering, for they are the forging fires of the soul. Accept your destiny, for it is the canvas upon which you will paint the masterpiece of your life.
― Sambou Lamine Diaby
Vintage Art Appreciation: Camelias, Amaryllis, Hyacinth and Violets in Ornamental Pots by Johan Laurentz Jensen
Camelias, Amaryllis, Hyacinth and Violets in Ornamental Pots on a Marble Ledge, 1836
by Johan Laurentz Jensen (1800 - 1856)
The best way to not feel hopeless is to get up and do something.
Don’t wait for good things to happen to you.
If you go out and make some good things happen,
you will fill the world with hope,
you will fill yourself with hope.
― Barack Obama
Hope
Smiles from the threshold of the year to come,
Whispering 'it will be happier...'
― Alfred Tennyson
I hope that in this year to come, you make mistakes.
Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. You're doing things you've never done before, and more importantly, you're Doing Something.
So that's my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Make mistakes nobody's ever made before. Don't freeze, don't stop, don't worry that it isn't good enough, or it isn't perfect, whatever it is: art, or love, or work or family or life.
Whatever it is you're scared of doing, Do It.
Make your mistakes, next year and forever.
― Neil Gaiman
Vintage Art Appreciation: Garden View with a Dog by Tomás Yepes
by Tomás Yepes (1595 – 1674)
All his life he tried to be a good person. Many times, however, he failed.
For after all, he was only human. He wasn't a dog.
― Charles M. Schulz
Such short little lives our pets have to spend with us, and they spend most of it waiting for us to come home each day.
It is amazing how much love and laughter they bring into our lives and even how much closer we become with each other because of them.
― John Grogan, Marley and Me: Life and Love With the World's Worst Dog
People leave imprints on our lives, shaping who we become in much the same way that a symbol is pressed into the page of a book to tell you who it comes from. Dogs, however, leave paw prints on our lives and our souls, which are as unique as fingerprints in every way.
― Ashly Lorenzana
Vintage Art Appreciation: Wildflowers by Anna Stainer-Knittel
by Anna Stainer-Knittel (1841 - 1915)
Promise Yourself
To be so strong that nothing
can disturb your peace of mind.
To talk health, happiness, and prosperity
to every person you meet.
To make all your friends feel
that there is something in them
To look at the sunny side of everything
and make your optimism come true.
To think only the best, to work only for the best,
and to expect only the best.
To be just as enthusiastic about the success of others
as you are about your own.
To forget the mistakes of the past
and press on to the greater achievements of the future.
To wear a cheerful countenance at all times
and give every living creature you meet a smile.
To give so much time to the improvement of yourself
that you have no time to criticize others.
To be too large for worry, too noble for anger, too strong for fear,
and too happy to permit the presence of trouble.
To think well of yourself and to proclaim this fact to the world,
not in loud words but great deeds.
To live in faith that the whole world is on your side
so long as you are true to the best that is in you.
― Christian D. Larson, Your Forces and How to Use Them
Vintage Art Appreciation: Celebrating Fall Colours with Franz Bischoff
Franz Bischoff was born in Austria but immigrated to the United States in 1882. Trained in ceramic decoration as a boy, he continued to further his career in porcelain painting in his new homeland. He became well-known as a leading teacher of the craft, founding the Bischoff School of Ceramic Art in Detroit and in New York City, and as a master ceramicist who manufactured many of his own glazes.
He decided to settle in California in 1906, ultimately building and completing a landmark studio home at 320 Pasadena Avenue in 1908. A description of the home says: "The building was poured of solid concrete and was one-and-a half stories high. It was designed in the Renaissance style, with an imposing entry through massive oak doors with stained glass panels. The doorway was set beneath a classical pedimented portico, supported by two columns. The interior was divided between a large gallery, a studio and a complete ceramic workshop in the basement.
The gallery measured 36 feet by 40 feet. It had high, concave ceilings lighted by several half-circle skylights. The floors were of solid oak covered by old Turkish rugs and polar bear skins. All interior doors and paneling were of natural redwood in the Gothic style. The furniture was of massive oak in the Mission style. At the west end of the gallery was a huge tile-covered fireplace. The wall space throughout was covered with paintings of flowers and landscapes, and in one corner were several oak display cases containing examples of Bischoff's painted ceramics.
The painting studio had a large picture window that overlooked the Arroyo Seco, with a wide vista of the distant mountains. The studio furniture consisted of an easel, several easy chairs and low divans, all of Flemish oak."
- a possible view from his studio window?
In 1912, Bischoff went on an extended tour of Europe where he studied the works of the Old Masters and the Impressionists. On his return to California, Bischoff turned to landscape painting and gradually abandoned porcelain decoration (Source: The Irvine Museum).
Although I've categorized Bischoff's works under Impressionism, I think they may fall somewhere in between Impressionism and Fauvism, particularly his later works (c1920s) which show very strong, vivid colours. His background in design comes through his compositions - look how his landscapes follow clearly the rules of linear perspective, and he seems to have retained quite a bit of art nouveau graphical influence in his stylized renderings of landscape elements such as trees, rocks and mountains. This unique treatment, in addition to his use of jewel-like colour blocks, makes me feel like I'm looking st a Tiffany stained glass window.
design attributed to Agnes F. Northrop (1857 - 1953) (Source: The Met)
Finally, I am closing the post with two Bischoff paintings of fall's most popular flowers - the quintessential chrysanthemums!
Aren't these warm colours lovely? I hope you have the opportunity of using these golden hues in your fall decorating to stave off the encroaching cooler temperatures. Pretty soon, possibly after Halloween, I'll be filling up the house and front yard with more blue-greens and reds as we head into the Christmas season but it is really nice to savour the yellows, oranges, and golds while summer is still fresh in our minds.
Originally published 2018. © FieldandGarden.com. All rights reserved.
Vintage Art Appreciation: Mixed Flowers by Margaret Rose Preston
Margaret Rose Preston (1875 - 1963)
Don't think about making art, just get it done. Let everyone else decide if it's good or bad, whether they love it or hate it. While they are deciding, make even more art.
― Andy Warhol
What keeps life fascinating is the constant creativity of the soul.
― Deepak Chopra, Life After Death: The Burden of Proof
But unless we are creators we are not fully alive. What do I mean by creators? Not only artists, whose acts of creation are the obvious ones of working with paint of clay or words. Creativity is a way of living life, no matter our vocation or how we earn our living. Creativity is not limited to the arts, or having some kind of important career.
― Madeleine L'Engle, Walking on Water
Vintage Art Appreciation: Still Life by José Gutiérrez Solana
by José Gutiérrez Solana (1886 - 1945)
Green is the prime color of the world, and that from which its loveliness arises.
― Pedro Calderon de la Barca
This plant represents what's happening inside of you. The world, like the soil, is cold and dark—layered with a history of destruction and death. You were planted in this world to rise above it. Do you not see? The very existence of this darkness gives you the opportunity to become a light to the world.
― Seth Adam Smith, Rip Van Winkle and the Pumpkin Lantern
Every living creature on this planet, has a conscious subjective perspective of the world. Even the plants may seem to us as standing indifferent to the human sufferings, but even they have their own unique mental universe. They have their own way of interacting with the environment.
― Abhijit Naskar, What is Mind?
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